Nguyen
Minh
Uyen
Reflection in Time
Mộng Sắc
From the success of Hoạ Gươm emerged Mộng Sắc an exhibition that expressed memory and imagination, where art became both dream and dialogue. Curated as a continuation of Sắc’s artistic journey, Mộng Sắc explored the fragile boundary between what is remembered and what is felt, what is seen and what is intuited. Featuring over forty works of painting and photography, the exhibition invited more than three hundred visitors into a space where color replaced language and silence carried its own rhythm.
Every wall, every shadow, and every beam of light was deliberately orchestrated to create emotion rather than chronology. The gallery itself became a living organism, breathing with the visitors who wandered through its layers of abstraction and light. Mộng Sắc was not a display, but an experience of stillness and intimacy, where each artwork mirrored a fragment of the human psyche.
Through Sắc, I learned that art transcends the surface of the canvas. It lies in the act of creating connection of how one curates emotion, space, and silence into a shared consciousness. My passage from Aqua to Hoạ Gươm and then Mộng Sắc marked not just a series of exhibitions, but a personal evolution: from observer to curator, from artist to storyteller. In those spaces of color and quiet, I discovered that art, at its purest, is empathy, a moment when stillness turns to meaning, and every image begins to speak.
